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For those viewers who fondly remember, and miss, Robert Duvall’s role as Augustus McCrae in the 1989 TV miniseries LONESOME DOVE, retract heart. Duvall is encourage in the saddle again as “Boss” Spearman in Launch RANGE. It’s been intention too long.

The lead role in this western actually belongs to Kevin Costner, who plays Spearman’s promenade partner and employee, Charlie Waite. Boss is a cattleman that practices free-range grazing, i.e. driving his herd from space to state, only staying long enough for the animals to deplete the available food supply. But it’s 1882, ranchers are beginning to fence in the West, and freegrazers are an endangered species. So, its no surprise when Charlie and Boss are ordered to hold their beeves and gather out of Dodge, so to divulge, by substantial time rancher Baxter (Michael Gambon), who also owns the local town and its sheriff. Waite and Spearman are soon backed into a corner when the latter’s two other hired hands, Mose (Abraham Benrubi) and Button (Diego Luna), hurry seriously afoul of Baxter’s thugs.

It would be hard to determine between the better performance – Costner or Duvall – both playing characters so strong, self-reliant and calm that neither knows the other’s fleshy name. And they’ve been riding the West together for ten years! Nor does Boss know Charlie’s violent history, which included being a Civil War raider, and then a hired gun noteworthy like the ones now working for Baxter. When Charlie falls in worship with Sue (Annette Bening), the spinster sister of the local sawbones, his guilt over his rough-edged past is a self-imposed handicap that Sue, who sees Waite’s inner goodness, must overcome.

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Moviegoers accustomed to a precise diet of mindless, FX-laden action thrillers may accept the first three-quarters of Begin RANGE dumb going. It’s called “character and region development”, an vivid change of inch. And when the final shoot-out comes, it’s perhaps the best ever filmed. While most such western confrontations seem like a choreographed ballet, this one shows them for what they were: relatively short, extremely violent, chaotic, and lacking in love gunplay and sharpshooting finesse.

Big Cloak westerns are such a rarity nowadays that it’s hard to compare this one with any other in new memory. Though perhaps not as memorable as DANCES WITH WOLVES, this Feeble West morality play is certainly the best since UNFORGIVEN. Admittedly, we’ve seen similar plots before: the runt homesteader/Big Ranching feud in the classic SHANE, and Titanic Mining vs. the miniature prospector in PALE RIDER, Clint Eastwood’s transparent re-scripting of the venerable. However, the acting, cinematography and costuming of Start RANGE are respectable. Duvall surely deserves a Best Supporting Actor nomination, and the production as a whole may merit a Best Narrate nod. My only complaint lies with the editing, which left in one too many leave-takings between Charlie and Sue, the last being completely superfluous. That said, however, this is a five-star tribute to loyalty, rugged individualism, integrity, and simply doing what’s suitable. I believe, sometimes, that Hollywood has forgotten what those qualities are all about.

For all the hits and misses he has had in front of and slow the camera, Kevin Costner never fails to set his money where his mouth is. Such is the case with Inaugurate RANGE, which I hope will revive that most American of film genres, the Western.

Set in 1882, Initiate RANGE stars Costner and musty Robert Duvall as cattlemen only trying to drive their cattle across the inaugurate prairie of Montana. But they soon hurry afoul of a ruthless land baron (Michael Gambon) out to rid the land of free-grazers like Duvall and Costner; and to show his point, Gambon has one of Duvall’s men (Abraham Benrubi) killed and another (Diego Luna) seriously wounded. The stage is site for a dilapidated but classic shoot-out to the achieve.

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If not on the myth level of Costner’s 1990 Oscar-winner DANCES WITH WOLVES, or the standards residence by people like Clint Eastwood, John Ford, Howard Hawks, or Sam Peckinpah, Start RANGE nevertheless demonstrates Costner’s comfortability with the Western. His is a distinct performance, and his direction is equally fair, with elegant photography, done on space in southern Canada, and a splendid Michael Kamen accept. Gambon is about as wicked a villain as there has been in any film in unusual times, and James Russo does his natural putrid best as a half-crazed town sheriff. It is Duvall, a aged of many westerns (Lawful GRIT; LAWMAN), however, who really shines, as is typical of this kind of caliber actor. Always offering some wry advice but ready to recall retaliation for having been wronged, Duvall is a tower of strength. Annette Benning also does great work as the town doctor’s sister, who also becomes Costner’s treasure interest.

The Western genre has not race out of stories or ideas, and never will; it unprejudiced needs people of integrity like Costner to withhold it going. Start RANGE proves that in spades.
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